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Short Film


MAin Poster.jpg

Genre : Oneiric Psychological Thriller

Duration : 8 Min

Directed By : Eresha Sale

Produced By : Christine Hartland


It's a oneiric psychological thriller where protagonist dreaming a mysterious man called death follows him throughout his dream. When he comes to reality after seeing scary and destructive visuals in his dream, he thinks that demon still follows him and finally that takes him to death. This film mainly deals with uncontrollable imagination and human mental condition inspired by Schizophrenia.

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 Story, Screenplay and Direction     Eresha Sale
                                               Producer    Christine Hartland
            Executive Producer    Sirisha
                                Cinematographer    Melissa Timmins
                                     Composers    David O’Brien
                                                     Ben Parry
                                                                   Benedict Madden 
                                                                        Glen Gabriel Jansson
                           Production Designer    Xiangping Xiang
                  Production Manager    Yueqi Xiao
                                         Editing    Yihui Wang
                                                          Eresha Sale
                                               Cast     Steve Harvey
                                                          Eresha Sale

Awards & Screenings

Winner - Film Of the Month
Eurasia International Film Festival, Moscow, Russia, 2018.
Winner - Best Camera
Eurasia International Film Festival, Moscow, Russia, 2018
Winner - Best Experimental Short Film
Moscow Shorts, Moscow, Russia, 2018.
Winner - Best Experimental Short Film

Falcon International Film Festival, London, UK, 2018.




* Falcon International Film Festival

London, UK, 2018.


* Moscow Shorts

Moscow, Russia, 2018.


* Moving Pictures Festival

Belgium, 2018.



London, 2018.


* MIANI Independent Film Festival

United States, 2018.

Film Review

It’s hard to say if Eresha Sale is a promising director or an extremely talented visual poet. His project, ‘It Follows‘, is not your typical short film, depicting a nocturnal hallucination, with a dark and magnetic aesthetics through which the director explores the inner abyss of people aggressed by phobia or schizophrenia. Without adopting a conventional epic thread, this experimental project is a poetic incursion into the dreamlike chimeras of a character who is haunted by phantasmagorical demonic presences that invade even his daily reality. Inspired by the meditative pictorial aesthetics of directors such as Tarkovsky, Lars von Trier, or Ingmar Bergman, Eresha Sale builds a misty, fluid, almost Gothic universe populated by symbols and terrifying shadows that fascinated us through the almost mathematical care that the image is grounded on. Without using a classical discursive interaction, this nonverbal short film is a broad sensory composition that synthesizes, through colourless panoramas, slow movements and suggestive musical inflexions, a gloomy and obsessive atmosphere, a metaphor of loneliness that defines the unhappy destiny of the ones for whom the world is an indestructible carceral space.

The somewhat anti-narrative strategy of this short film impedes us to offer in words a defining insight into its universe. A young man wanders through a deserted park, in the middle of a misty day, meeting at every step statuary ghoulish silhouettes that silently watch every movement. This agonizing wandering through the gothic vegetal universe of this terrifying space will follow the protagonist even after he wakes up, when he tries to desperately find the reason why the same demonic presence invades his own intimacy.


Created on a principle of duality that opposes the nocturnal register (the colourless, viscous, misty dream) with the diurnal register (which, through a sickly chromatic, renders the thrilling existence of the protagonist captive in their own home), Eresha Sale’s short film is a poetic incursion into the fears of the individual overwhelmed by an acute sense of alienation. Without proposing to create a canonical story about the terror of the individual awestruck by the whims of existence, the director manages to create a hallucinating, both terrifying and captivating, experiment, metaphorical radiography of the soul of a human condemned to loneliness. ‘It Follows’ is one of those projects of atmosphere, based on a somewhat universal narrative formula that succeeds through the poeticism of images to fascinate any category of the audience familiar with the sensation of existential void caused by the irremediable phobia of isolation.


By TM Film Festival, London


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